In addition to examining the narrative that plays in my own mind, I have begun a body of work that steps back from the personal to consider not the subjects of my perception, but the nature of perception itself. Inspired by the history and form of the inkblot, I am making a series of cloth-embedded monoprints that explore the subtleties of symmetry, the binary, and the breakdown and reformation of information within the brain. In my process of creating a mirror image, I apply a monoprint onto woven fabric. I then unweave my cloth, separating the image into its vertical and horizontal elements, before reweaving the image alongside itself. I am interested in the resulting form as an imaginative trigger, as well as the shifts and subtle irregularities that occur during the physical process of weaving as a tool for deconstruction and reconstruction.